Turn the lights on

Hey, bring all the lights down.

Sami switched the light on.

Lights. Turn on the lights.

Lights out now.

I can't avoid the lightning.

So if we can get the lights ...

And the new experience I was looking for is giving the choice for the user to go from a warm, sort of glowing kind of mood light, all the way to a bright work light.

This lamp is too bright. It'll cast shadows!

DH And turn up the intensity we're still pink in the middle.

So if we can get the lights ... The 99

And this would then combine two basic functionalities illumination and wireless data transmission.

Then we'll put a light at the window. Hey kid, put a light there! Yes.

Escape routes are defined according to the situation.

This is data through illumination it's first of all an illumination device.

light to dark in six seconds exactly that.

Efficiency This is data through illumination it's first of all an illumination device.

The skin itself is made out of a see through nylon mesh, which, if the lighting designer wants the horse to almost disappear, she can light the background and the horse becomes ghostlike.

The lights that are shining on me today are partly the result of nuclear power.

BF Yeah, it's too far. It's too much of a visual.

The lighting was questioned. Everything was questioned about it.

Possibly the lighting is interfering. I'm switching to working lighting.

In fact, I've never found anybody that doesn't like the light that goes out slowly.

It's serving the purpose of illumination, but at the same time, we are able to transmit this data.

And the new experience I was looking for is giving the choice for the user to go from a warm, sort of glowing kind of mood light, all the way to a bright work light.

This is how we create uniform lighting from one wall to the other in a regular grid of lamps.

Look at this young bean that is moving to catch the light every time.

But I really was looking for creating a unique experience of light, a new experience of light.

It's not that long ago that our lighting was just done with these kinds of lamps.

You take a glow gene out of a coral or a jellyfish and you stick it in a zebrafish, and, puff, they glow.

That's how bioluminescence works they're talking with these chemical words.

You take a glow gene out of a coral or a jellyfish and you stick it in a zebrafish, and, puff, they glow.

And of course, also to the lighting turning them on or off.

The skin itself is made out of a see through nylon mesh, which, if the lighting designer wants the horse to almost disappear, she can light the background and the horse becomes ghostlike.

And it's done in a very simple way one just touches the base of the light, and on one side, you can mix the brightness, and on the other, the coloration of the light.

And also, colors, lighting, sound and effects can dynamically respond to your emotional state to heighten the experience that you're having, in real time.

And I suddenly realized that there was something that did exactly that light to dark in six seconds exactly that.

We have codes and standards that tell us that the lights should be so much lux and of great uniformity.

We have codes and standards that tell us that the lights should be so much Lux and of great uniformity.

Or do you know, lieutenant, in the Arab city of Cordoba were two miles of public lighting in the streets when London was a village.

The UK Foreign Office manages the foreign relations of the territory.

State Department. This is not the State Department.

What was actually interesting to us was not that the bacteria made light, but when the bacteria made light.

Foreign relations are conducted through the Ministry of Foreign Affairs.

And this is called the tunica externa. For external layer.