I'm just going to show you some footage.

So I showed him this, and this is actual footage that he was on.

Usually, the display shows the number of shots remaining, and once this is completed, the camera is returned to the store.

And there were many, many others.

Next is a compilation of a bunch of stuff.

The court of appeal asked to see the footage, and in November 2007, France 2 presented the court with just 18 minutes of footage.

And they're going to be playing this clip I'm such a good mother.

I wasn t there, but I saw the footage.

And below it are all the individual frames that people have been submitting to the project.

These are some of the shots actually from my film.

All these people and all this shouting frighten me a little.

The issue of how much footage exists was further confused in November 2007.

And we made this film in Casablanca, recreating all the shots.

Night shots are beautiful, piercing the Big Dipper and the Milky Way.

Because I feel like, you know, there are so many images out there, so many clothes out there.

Now in this footage, the adult is Caroh.

Collaborator Three

But even more incredible was the footage shot from the Triton submersible.

Up, up, up.

No! Come on, come on, come on.

Up! Up! Up!

Up, up, up.

The last shots that I have deal with coming back to this theme of sidewalks, and I wanted to say something here about I'm, kind of, optimistic, you know.

They were all wearing Glass, and that's how we got that footage.

Up! Up!

Higher, higher!

Higher! Higher!

Louder, louder!

What you're seeing on the right is the design of the library, specifically in terms of square footage.

And I've shown you the shot where the seemingly impossible is possible.

So, for the shimmers, you were seeing eight different pictures each second of footage.

I like to think of a single visual shot as a complete sentence or thought and a series of shots as a paragraph.

The close up's are the key to good story telling, your story should have four to five times more close ups than wide shots or medium shots, when editing be very conscious of jump cuts, a disruption of continuity an action that confuses the viewer or violates the rule of time or logic.

It has to simultaneously be mysterious, a little bit distant that's why, often in these glamour shots, the person is not looking at the audience, it's why sunglasses are glamorous but also not so far above us that we can't identify with the person.

What you notice here is that these snapshots taken from the output of the retina chip are very sparse, right?

Effective visual editing uses wide shots, medium shots and close ups to weave a coherence story line

Higher, higher

Enderlin then seemed to say there had never been 27 minutes of footage according to The Jerusalem Post , he said just before the screening, I do not know where this 27 minutes comes from.

To really get the money shots, it's down to being in the right place at the right time.

When I showed it, and I asked, immediately after the screening was over, what they thought of it, what was your memorable shots, they changed them.

And throughout the book, there's over an hour of documentary footage and interactive animations.

As the frame rate increases, we lose awareness of the intervals completely and are all the more convinced of the reality of the illusion.

And what I discovered is, because of the nature of the footage and the fact that we're doing this film, there was an emotion that was built into it and our collective memories of what this launch meant to us and all these various things.

Louder.

Up