It's called Superliquidity. It's my sculptural investigation.

The first sculptural model I made for that thing in Tokyo.

Quiriguá shares its architectural and sculptural styles with the nearby Classic Period city of Copán, with whose history it is closely entwined.

During this period he also visited Paris, took advantage of the timed sketching classes at the Académie Colarossi, and viewed, in the Trocadero, a plaster cast of a Toltec Maya sculptural form, the Chac Mool, previously seen in book illustrations.

Meanwhile, I use these scores as blueprints to translate into sculptural forms like this, that function still in the sense of being a three dimensional weather visualization, but now they're embedding the visual matrix of the musical score, so it can actually be read as a musical score.