And here are the low power poses.

And here are the low power poses.

When you're in the

And we like to study things like this, grandmasters do, so that if we get to them, we know how to play them cold, but also so that we can steer the position that's in front of us, the more complex ones you saw earlier, to something this easy, something this simple.

And they do either high or low power poses again.

All the high power posers. We don't wanna hire these people.

We don't want to hire these people.

So, think of the three settings I've talked to you about factory, migration, office.

They don't look at pictures of the poses.

Suddenly the artistic director can move between different stage and audience configurations.

When you're in the low power pose condition, only 60 percent, and that's a whopping significant difference.

BJ So we got a camera, and we posed the puppet in various galloping stances.

And these people adopted, for two minutes, either high power poses or low power poses.

Risk tolerance, which is the gambling, what we find is that when you're the high power pose condition, 86 of you will gamble.

So I wanna ask you first, you know, both to try power posing, and also, I wanna ask you, to share the science.

So we got a camera, and we posed the puppet in various galloping stances.

Risk tolerance, which is the gambling, we find that when you are in the high power pose condition, 86 percent of you will gamble.

So I want to ask you first, you know, both to try power posing, and also I want to ask you to share the science, because this is simple.

And the game starts to go on and you see the chess position get a little simpler, and a little bit simpler, and less pieces on the board, until finally in this case, a game that I played in a tournament in Foxwoods, it gets to something like this.

Three settings that, if we just step back 15 years, if you just think back 15 years, when you clocked in, when you clocked in to an office, when you clocked in to a factory, there was no contact for the whole duration of the time, there was no contact with your private sphere.

But the next question of course is can power posing for a few minutes really change your life in meaningful ways?

But the next question, of course, is, can power posing for a few minutes really change your life in meaningful ways?

So we bring people into a lab, and they do either high or low power poses again, they go through a very stressful job interview.

The Chinese soldiers allegedly assumed firing positions, leading the Indians to withdraw in order not to provoke a shooting match.

We decided to bring people into the lab and run a little experiment, and these people adopted, for two minutes, either high power poses or low power poses, and I'm just going to show you five of the poses, although they took on only two.

And of course, today, with the technology of the computer and with the rapid prototyping, etc., we have the mechanisms to understand and to respond to these systems, and to allow them to adjust to the various accommodations of functionalities because that's all we do.

Many of us have a social media presence a virtual personality made up of status updates, tweets and connections, stored in the cloud. Adam Ostrow asks a big question What happens to that personality after you've died? Could it ... live on?

Three settings that, if we just step back 15 years, if you just think back 15 years, when you clocked in, when you clocked in to an office, when you clocked in to a factory, there was no contact for the whole duration of the time, there was no contact with your private sphere.