Keep on playing!

Are you going to play?

You all applauded.

The whole orchestra is playing.

I starts out with a slow air.

I'll accompany you on the piano.

Will you allow me to play the piano?

May I play the piano?

So, I just started playing.

We're going to play a tune and Natalie's going to accompany me on the piano.

I wanna listen. Go on playing!

Frizzell began playing the guitar as a young boy.

And now there is a trumpet player who does something not exactly the way it should be done.

When the band began to play The stars were shining bright

Joshua Bell played to an audience of nobody!

He played last week. Is that a concert tour?

But there's no one to play for me. Everyone's gone.

Well, there's lots to talk about, but I think I'm just going to play to start off.

I've played the Disney Hall here and Carnegie Hall and places like that.

Why don't you let me play you a little thing I wrote last week.

Panbanisha is enjoying playing her harmonica, until Nyota, now one year old, steals it.

A popular R amp B band recently returned from a successful three city tour where they played to at

He displayed musical talent at a young age, playing piano at the age of 6.

And in the end, Derek, I think you agreed that we could actually have some fun playing the piano together.

So, you know, with Dan, we needed a new design process, a new engineering process to sort of discover his movement and his path to expression that allow him to perform.

So this is a musician, Mike Pope, one of the world's best bassists and a fantastic piano player.

So without further ado, Michael Linville, the director of chamber music at the New World Symphony, will perform the world premiere of the perfect ping.

Except now you're inside Glenn Gould's body playing the piano, and it feels like your fingers are making the decisions and moving through the whole process.

Joshua Bell, one of the greatest violinist in the world, played to a packed audience at Boston's stately Symphony Hall of 1,000 people where most seats went for more than 100.

and every note, every beat, every slur, every accent, every pedal was perfect, because he played it for that room on that day.

Now what we did was we brought a musician into the scanner same way had them memorize this melody and then had another musician out in the control room trading back and forth interactively.

And on the sweet spot on the stage, Tatum starts playing ... and every note, every beat, every slur, every accent, every pedal was perfect, because he played it for that room on that day.

Do they provide structure for us to do that? And, you know, that's a personal relationship to expression that is lacking in the technological sphere. So, you know, with Dan, we needed a new design process, a new engineering process to sort of discover his movement and his path to expression that allow him to perform.