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Did you bring the manuscript?

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Why did the owner of the manuscript do this?

And they got together to work on this manuscript.

Then, having done that, we started to image the manuscript.

I don't care if it was you who edited the script with Lee Seo Woo or whether you got the rights to the script.

... I do not feel alone with the manuscript.

The manuscript is lost, but a copy was discovered in 1886.

You even rope me in to help you when I just came to see the script.

This manuscript contained 123 fables out of the supposed original number, 160.

What are you doing, thinking of these ideas instead of editing your script?

I should say I took the manuscript to London, and showed the people.

At home with that manuscript that was due yesterday.

She died in 1960 and left the manuscript to her close friend, Miss Anne Nill.

This is a parchment music page that I found in a Paris bookstall 50 years ago.

Do we have to go by the script? I want to make it more entertaining.

And this is terribly important, because the diagrams in the manuscript are the unique source for the diagrams that Archimedes drew in the sand in the fourth century B.C.

After this tremendous victory and in the middle of the negotiations over the surrender, the manuscript ends.

One EU central banker described this to me as the killer chart.

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The only codex that contains the work is a manuscript from 1400 that is kept in the National Library of Paris.

As of , the original manuscript is in the possession of the University of Leeds Library Read had been a student at the University.

The really astonishing thing though about this manuscript is that we looked at the other manuscripts that the palimpsester had made, the scribe had made his book out of, and one of them was a manuscript containing text by Hyperides.

And a month after we got the Pauling manuscript I should say I took the manuscript to London, and showed the people.

Meyer also stated that she doesn't believe the manuscript was leaked with any malicious intent, and would not give any names.

The script was developed by Sultan Ibrahim Njoya in 1896, and is taught in Cameroon by the Bamum Scripts and Archives Project.

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The Italian manuscript has 506 pages, of which the Gospel of Barnabas fills pages 43 to 500, written within red frames in an Islamic style.

The scarcity of written criminal records in Afghanistan made it impossible to prove the guilt of any candidate with respect to specific criminal activities or human rights abuses.

The number is seventy in manuscripts in the Alexandrian (such as Codex Sinaiticus) and Caesarean text traditions but seventy two in most other Alexandrian and Western texts.

As the monks refused to sell this manuscript, he made a copy of it, which was sold to the British Museum, and was published in 1859 by Sir G Cornewall Lewis.

A mercury clock, described in the Libros del saber de Astronomia , a Spanish work from 1277 consisting of translations and paraphrases of Arabic works, is sometimes quoted as evidence for Muslim knowledge of a mechanical clock.

The page was thrown out if a single mistake was found, and three mistakes on a single page would result in the entire manuscript being destroyed (the equivalent of retransmission on a telecommunications channel).

Comparing the Sydney transcript with the counterpart passages quoted in Spanish by Sale, there are no substantial differences, but it would appear that sometime between Sale's death in 1736 and 1745 some 80 chapters of the Spanish manuscript were lost.

Ephrem the Syrian wrote a commentary on it, the Syriac original of which was rediscovered only in 1957, when a manuscript acquired by Sir Chester Beatty in 1957 (now Chester Beatty Syriac MS 709, Dublin) turned out to contain the text of Ephrem's commentary.