Listen.

We can make beats in the car, right?

So we can just drive through the city, making a beat.

Don't worry about tunes.

This typifies the dissonant historical rhythms of the Middle East.

And to lose touch with the basic rhythms of our biology and our health.

There's no big room to create reverberation and confuse the rhythms.

So, we'll do a few beat patterns with you and you repeat after me so you can begin to learn these sounds, alright?

I would say, the instruments, the intricate rhythms, the way it's played, the setting, the context, it's all perfect.

So we can take all of those different rhythms and sounds, and jam with each other by listening to each other, right?

I've already let you know that these heart rhythms reflect internal emotional states so I'm sure there's no reason for her to be nervous.

And so we began our lessons every single time tuning drums in particular, the kettle drums, or tympani to such a narrow pitch interval, so something like ...

And so we began our lessons every single time tuning drums in particular, the kettle drums, or tympani to such a narrow pitch interval, so something like ... that of a difference.

Don't worry about tunes. Take a tune, sing high when they sing low, sing fast when they sing slow, and you've got a new tune.

And the music there, I would say, the instruments, the intricate rhythms, the way it's played, the setting, the context, it's all perfect. It all works perfect.

The act that has been presented to you is as you can see from Eastern Sudan from Al Beja, and they are such wonderful and beautiful people they have many different rhythms and they really need people to know them better to love them more.

Then he explained the rhythms and forms, and played his Oud and sang, all the while explaining the cultural and social context for these different forms.